The instinct of an artist is to find the beauty in life and pass it to the audience in his own way.

I prefer to use found objects as my materials to make narrative jewelleries. I like to hide a long story behind the jewellery because it gives you a view of the hidden beauty. In the work I made about the love of my grandparents, I used their photos and the red rope as the found materials. In the meantime, I also express my feelings to the audience through jewellery, from the missing to my family to the anxiety about the worsening environmental pollution in my hometown. For example, in the work I did this year, I used plastic bags, which are collected from the seaside as the material to simulate the appearance of marine creatures being entangled by plastic. This jewellery design shows the severity of Marine pollution.

The visual effect is very important to me, because it usually gives the audience a shock in the first place. To make a good visual effect, I think continuous experiment is important. My experimentation is usually casual, so I always have to use my eyes for a long time to look for something that has special significance and plenty of room for development to me. I don't like deliberate methods, like chemical etching. I enjoy the process of discovering beauty.

藝術(shù)家的本能是去發(fā)現(xiàn)生活中的美，并用自己的方式將其傳遞給觀眾。

我的方法偏向于用現(xiàn)成物做材料，做敘述性首飾。我喜歡用首飾包裹著長(zhǎng)篇的故事，有一種含蓄的美。比如我做的關(guān)于我外公外婆的愛(ài)情的首飾，在這件首飾里我用了他們的照片以及紅線這兩個(gè)現(xiàn)成物。同時(shí)我也常通過(guò)首飾來(lái)向觀眾表達(dá)自己的感覺(jué)，小到對(duì)家人的思念，大到對(duì)環(huán)境污染加劇而產(chǎn)生的著急心理。比如我今年做的作品，我用海邊撿來(lái)的塑料袋作為材料，模擬了海洋生物被塑料纏繞的樣子，做了能傳遞了海洋污染嚴(yán)重性的首飾。

視覺(jué)效果是我很看重的，因?yàn)樗ǔＤ芙o觀眾帶來(lái)第一時(shí)間的震撼。而關(guān)于怎么做出好的視覺(jué)效果，我認(rèn)為都是通過(guò)不斷地實(shí)踐得到的。因?yàn)槲业膶?shí)踐比較隨意，我總是要用眼睛找很久，什么現(xiàn)成物對(duì)我有特殊意義又有很大的發(fā)展空間。我不喜歡刻意的方法，比如用化學(xué)物質(zhì)腐蝕之類的。我非常享受發(fā)現(xiàn)美的這個(gè)過(guò)程。