我在設(shè)計(jì)時(shí)注重將設(shè)計(jì)感與服裝的實(shí)穿性結(jié)合，并熱衷于從過去的時(shí)裝中獲得靈感，這一點(diǎn)充分的表現(xiàn)在了我的作品《TIMES》中。這個(gè)系列從黑白電影《摩登時(shí)代》中獲得靈感，該電影以黑色幽默的手法表現(xiàn)了美國(guó)經(jīng)濟(jì)大蕭條下工人階級(jí)苦苦掙扎的生活狀態(tài)。我對(duì)20世紀(jì)30年代美國(guó)人們的穿著服裝進(jìn)行了調(diào)研，提取了當(dāng)時(shí)流行的直筒式風(fēng)格的連衣裙，以及電影中資本家干凈整潔的西裝、工人階級(jí)破舊不堪滿是油污的背帶褲和牛仔工作服，并結(jié)合電影中大量出現(xiàn)的螺絲，紐扣，齒輪等元素進(jìn)行面料改造。通過火焰噴槍將齒輪，螺絲和紐扣進(jìn)行燃燒，整體呈現(xiàn)出一種復(fù)古而不乏現(xiàn)代休閑感的風(fēng)格。

I focus on balancing the sense of design with wearability when designing garments, and I love finding inspiration from past fashion, which is reflected in my project "TIMES". The collection drew inspiration from the black-and-white film "Modern Times," which portrays the struggling working-class life in the United States during the Great Depression in dark humor. I researched typical Americans wearing in the 1930s, extracting some popular fashion element at the time, such as H line dress, as well as the neat and tidy suits of the capitalists in the movies and the tattered oil-stained aprons and denim jumpsuits of the working class. I also combined the screws, buttons, gears and other elements that appeared in the movie to make fabric manipulation samples. I slightly burned some gears, screws and buttons using a flame gun, trying to create a retro yet modern casual style.